Helheim Gallery
Hel (Old NorseHel, “Hidden;”[1] pronounced like the English word “Hell”) is the most general name for the underworld where many of the dead dwell. It’s presided over by a fearsome goddess whose name is also Hel. Occasionally, it’s also referred to as “Helheim,” “The Realm of Hel,” although this is much more common in the secondary literature than in the Old Norse primary sources.
Helheim, also known as Hel, is one of the Nine Realms of the World Tree, the final destination of the dishonorable dead and a major location in God of War (2018). Helheim is known as the Realm of the Dead - and the location that those who die a dishonorable death are forced to tread through the. This organization is not BBB accredited. Tattoos in Salem, MA. See BBB rating, reviews, complaints, & more.
Like physical graves, Hel was thought to be located underground. Some sources also place it in the north, the direction which is cold and dark like the grave.[2] A dog is sometimes said to guard its entrance, much like Cerberus in Greek mythology.[3]
What Kind of Place Was Hel?
The names of Hel and Hell, the Christian realm of eternal suffering ruled over by Satan, come from the same root in the Proto-Germanic language, which is an ancestor of both Old Norse and, by way of Old English, modern English. That common root has been reconstructed by modern scholars as *haljo, “concealed place,” and words stemming from *haljo seem to have been used to denote the underworld in virtually all Germanic languages. We modern English speakers call the Christian concept of a land of damnation “Hell” because the concept was called hel or helle in Old English.[4] Presumably, hel/helle originally referred to the same kind of Germanic pagan underworld as the Norse Hel, and Christian missionaries to the Anglo-Saxons used the closest word they could find in Old English to refer to Satan’s realm.
But apart from the fact that Hel and Hell are both realms of the dead located beneath the ground, the two concepts have nothing in common. While the Old Norse sources are far from clear on exactly how one ended up in one of the Norse afterlife realms rather than another (there were several), what is clear is that where one goes after death isn’t any kind of reward for moral behavior or pious belief, or punishment for immoral behavior or impious belief. (See the article on Death and the Afterlife for more on this point.)
Furthermore, while the underworld isn’t described often in the sources, when it is, it’s generally cast in neutral or even positive terms. As a place where the dead live on in some capacity, it’s sometimes portrayed as a land of startlingly abundant life on the other side of death.[5] The dead in Hel spend their time doing the same kinds of things that Viking Age men and women did: eating, drinking, fighting, sleeping, and so forth. It wasn’t a place of eternal bliss or torment as much as it was simply a continuation of life somewhere else.
Of all of the Old Norse sources, only one describes Hel as a thoroughly unpleasant place: the Prose Edda of the thirteenth-century Icelandic scholar Snorri Sturluson. Snorri wrote many generations after Norse paganism had given way to Christianity and ceased to be a living tradition, and he had a habit of stretching the evidence available to him to present his pre-Christian ancestors as having anticipated aspects of Christianity.[6] His downright comically over-the-top portrayal of Hel is an excellent example of this tendency of his. For Snorri, the plate of the goddess Hel is called Hunger (Hungr), her servants Slow (Ganglati) and Lazy (Ganglöt), the threshold of her door Stumbling Block (Fallandaforað), her bed Illness (Kör), and her curtains Bleak Misfortune (Blíkjandabölr).[7] Few scholars accept such descriptions as being authentic products of the Viking Age.[8]
Similarly laughable is Snorri’s assertion that those who die in battle go to Valhalla, the sublime hall of the god Odin, while those who die of sickness or old age go to Hel. Snorri himself blatantly contradicts his distinction between Valhalla and Hel in his version of the tale of the death of Baldur, Odin’s son, who is killed violently and is nevertheless borne to Hel.[9] No other source makes this distinction, and several offer further examples to the contrary.
The Road to Hel
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The Old Norse sources describe in uncharacteristic detail the course that one has to travel in order to reach Hel. It even has a name that comes up repeatedly in Old Norse literature: Helvegr, “The Road/Way to Hel.”[10] Given how closely the accounts of this course correspond to the narratives of traditional shamanic journeys of other circumpolar peoples,[11] they seem to recount, and possibly provide templates for, the journeys of Norse shamans. Throughout the Old Norse sources, we find instances of such journeys to Hel undertaken by gods or humans in order to recover a dead spirit or obtain knowledge from the dead.
A journey by the hero Hadding from the Gesta Danorum (History of the Danes) by the medieval Danish historian Saxo Grammaticus is typical. Here is Old Norse scholar E.O.G. Turville-Petre’s apt summary:
While he was living with Ragnhild, Hadding had another mysterious experience. A woman appeared bearing some herbs. Wishing to know where such herbs grew in winter, Hadding went with this woman under the earth. They passed through mists, and then through sunny, fertile regions, where the herbs had grown. Then they came to a raging torrent, flowing with weapons. Crossing by a bridge, they came upon armies of fallen warriors, locked in eternal battle. As they pressed forward, a wall stood in their way; they could go no further, but the woman tore off the head of a cock, which she happened to have with her, and flung it over the wall. Immediately the cock came to life and crowed.[12]
The chicken being thrown over the wall of the underworld (variously called Helgrindr, “The Fence of Hel,” Nágrindr, “Corpse-Fence,” or Valgrindr, “The Fence of the Fallen”[13]) is especially intriguing. I have yet to see a convincing explanation as to its meaning, but it seems to correspond to a Norse funeral custom. The Arab traveler Ibn Fadlan recorded a scene he witnessed where a Norse chief had died and a woman was about to be killed to accompany him, and she cut off a hen’s head and threw it into the ship where her dead body would soon follow.[14]
Another typical account is the journey of Hermod to Hel to attempt to retrieve Baldur, who had been killed by Loki. While the account comes exclusively from Snorri, it matches the other pieces of this genre of underworld-journey narratives closely enough, both in its overall form and in small details, that we can be sure that Snorri relied on an older source or sources now lost to us. The relevant part of the story goes like this:
The god Hermod departed from Asgard, the celestial stronghold of the gods, on Sleipnir, the horse of Odin. He descended down the trunk of Yggdrasil, the great tree that forms the central axis of the cosmos. For nine nights, he rode through deep valleys, so pitch-black he could not see the way. Finally, he came to a river, Gjöll (“Loud Noise”[15]), which was spanned by a bridge named Gjallarbrú (“Bridge over Gjöll”[16]). On the bridge stood a giantess, Móðguðr (“Furious Battle”[17]). The guardian of the bridge wanted to know why Hermod wanted to cross, since she could tell from his appearance that he was not yet dead. His answer, that he was going to look after Baldur, was evidently satisfactory to the giantess, who let him cross, telling him that Hel lay downwards and northwards (niðr ok norðr) from the bridge. When Hermod arrived at the fence around Hel, he jumped over it rather than going through the gate. He then made his way toward the hall of Hel (the goddess), where he found Baldur sitting in the seat of honor.[18]
The common elements in Snorri’s and Saxo’s accounts seem to be the following: Hel was located underground – down and to the north, the realm of cold and general lifelessness. It was reached by descending from a higher point with the help of a guide – an unnamed (dead) woman in Hadding’s case, and Sleipnir in the Prose Edda and the poem Baldrs Draumar (Baldur’s Dreams) in the Poetic Edda. After traveling through darkness and mist, the traveler would come to a river, perhaps a torrential river of water, but more commonly a river of clanging weapons.[19] There was a bridge over the river that one had to cross. After a time, one would finally arrive at the wall surrounding Hel. The dead presumably entered through the main gate, but those living beings who, for whatever reasons, undertook the journey to Hel seem to have thought it either impossible or unwise to enter through the gate. So they either found sneakier ways to cross into Hel or turned back.
Looking for more great information on Norse mythology and religion? While this site provides the ultimate online introduction to the topic, my book The Viking Spirit provides the ultimate introduction to Norse mythology and religion period. I’ve also written a popular list of The 10 Best Norse Mythology Books, which you’ll probably find helpful in your pursuit.
References:
[1] Orel, Vladimir. 2003. A Handbook of Germanic Etymology. p. 156, 168.
[2] Simek, Rudolf. 1993. Dictionary of Northern Mythology. Translated by Angela Hall. p. 137.
[3] The Poetic Edda. Baldrs Draumar, stanzas 3-4.
[4] “Hell” in the Online Etymology Dictionary. http://www.etymonline.com/index.php?term=hell&allowed_in_frame=0
[5] Ellis, Hilda Roderick. 1968. The Road to Hel: A Study of the Conception of the Dead in Old Norse Literature. p. 85-86.
[6] Abram, Christopher. 2011. Myths of the Pagan North: The Gods of the Norsemen. p. 208-213.
[7] Snorri Sturluson. The Prose Edda. Gylfaginning, chapter 34.
[8] Simek, Rudolf. 1993. Dictionary of Northern Mythology. Translated by Angela Hall. p. 137.
[9] Ellis, Hilda Roderick. 1968. The Road to Hel: A Study of the Conception of the Dead in Old Norse Literature. p. 84.
[10] Simek, Rudolf. 1993. Dictionary of Northern Mythology. Translated by Angela Hall. p. 139.
[11] Price, Neil S. 2002. The Viking Way: Religion and War in Late Iron Age Scandinavia.
[12] Turville-Petre, E.O.G. 1964. Myth and Religion of the North: The Religion of Ancient Scandinavia. p. 214-215.
[13] Simek, Rudolf. 1993. Dictionary of Northern Mythology. Translated by Angela Hall. p. 137.
[14] Turville-Petre, E.O.G. 1964. Myth and Religion of the North: The Religion of Ancient Scandinavia. p. 215.
[15] Simek, Rudolf. 1993. Dictionary of Northern Mythology. Translated by Angela Hall. p. 137.
[16] Ibid.
[17] Ibid. p. 220.
[18] Snorri Sturluson. The Prose Edda. Gylfaginning 48.
[19] I say “more commonly” because the river of weapons motif is also found in the Völuspá, stanza 36, Grímnismál, stanza 27, and Gylfaginning, chapter 38.
Love this piece @brittxwhitman did a few weeks ago!・・・Throwback to a few weeks ago making this HIM tribute for the song “Funeral of Hearts.” One of my favorite things to do in tattooing is creating visual depictions of song lyrics, poems, and books because we can delve more into the meaning of the art for that client specifically and how they interpret it. I fucking miss tattooing and I miss my clients even more, but in the meantime I’m taking on digital and original commi.
Email me at brittxwhitman@Gmail.come to snag one 🖤.✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart@shaynapraytattoos. 🖤 🌙Please support our artists! 🌙 🖤If you would like to help support our artists at this time please give them a follow!@jessbrowntattoos@brittxwhitman@seangardnerisawesome.@kellydotylovessoupThey’ll be selling exclusive original art, taking on digital commissions, selling prints, merch and in some cases gift certificates! Merch, prints and t-shirts can be found on our website!Thanks guys 🖤✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart@shaynapraytattoos @ Salem, Massachusetts. We would like to wish a Happy Birthday to one of our favorite ghouls @brittxwhitman! Britt has been with us from the beginning and without her we wouldn’t be here today. Thank you for all that you do and for being you ❤️.
Head over to her page and wish her a happy birthday! @brittxwhitman @brittxwhitman @brittxwhitman @brittxwhitman @brittxwhitman✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street.Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart@shaynapraytattoos. “All right, we'll call it a draw.” We absolutely love this piece by @jessbrowntattoos!・・・TIS BUT A SCRATCH! The Black Knight from Monty Python and the Holy Grail. Who else has seen this movie a thousand times?🐰 🐰@9threalmgallery.@helheimgallery✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart@shaynapraytattoos. The city of Salem, Massachusetts has declared a public health emergency regarding COVID-19, and as such has ordered all tattoo establishments to close effective March 22, and remain closed until notice is given.We will begin contacting those of you with existing appointments to discuss rescheduling. If you have questions please contact us viaWe love our clients.
We love our city. We love our Helheim and 9th Realm family. The most important thing we can. All do now is stay isolated and keep each other safe.
Until further notice, Helheim Gallery will be operating as a private studio. We will not be open for walk-ins or retail, only scheduled clients will be allowed inside. The health and safety of everyone is our highest priority.
We appreciate all your support during this scary time. Stay safe everyone! We will keep you updated as the situation unfolds.
❤️✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3.Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart@shaynapraytattoos. In light of recent events, we will have the following policy: If you are feeling sick or have been in contact with someone feeling sick and you have an appointment with one of our artists, we here at Helheim Gallery ask you to stay home and reschedule your tattoo appointment. Don’t worry about losing your deposit, we will still honor it. The important thing is for our clients and our staff to stay safe.If you are keeping your appointment we ask that you please not br. Ing any additional guests.
We are also suspending all walk-ins, but if you would like to make an appointment please feel free to call. Our shop prioritizes cleanliness and safe BBP and cross contamination awareness at a level beyond industry standard. We will continue this practice and ask that all of our clients follow CDC guidelines and suggestions for safety. Most importantly washing your hands thoroughly and frequently.Now is the time to remember that not only are you trying to keep yourself safe, but the people you interact with. Consider your friends and neighbors who may have a compromised immune system, are older, or have respiratory issues. Keep yourself safe for their sake as well.Thank you,Helheim Gallery✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com @ Salem, Massachusetts. We are so pumped to have @rachelsmithtattoo join us March 13th & 14th!
Shoot this talented lady an email to get on her schedule while she’s here!! 💌 Rachel@thirteen.tattoo.✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart@shaynapraytattoos. It probably doesn’t shock you guys that we freaking love The Cure! What’s your favorite Cure song?? Recent piece by the lovely @kellydotylovessoup・🕷On candy stripe legs the Spiderman comesSoftly through the shadow of the evening sunStealing past the windows of the blissfully dead 🕷.Papa. Robert Smith, with his little spider body and spider babies searching for their next victim to infect with his post-punk darkwave venom and turn them into a little messy haired gothling.
I first got the bite when i was 11 or so. That old scoundrel Robert Smith appeared in a vh1 pop up video and i was a changed creature. To this day the Lullaby video is basically my ideal beauty standard. So you can imagine how excited i was to do this tattoo for the absolutely delightful Jennifer Friday at the @villainarts Philly convention! AND it won first place color tattoo of the day! So that was an honor!
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Thanks @villainarts and a huge thanks to the spectacular Jennifer!.@helheimgallery @9threalmgallery @inkmaster @quickcaps @kingpintattoosupply @heliostattoo @truetubes @eternalink @saniderm @redemptiontattoocare @stencilstuff @fkirons @inkedmag @inkmasterangels @thecure✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart. @brittxwhitman slayed this torch tattoo! She has some time open next week, shoot her an email to get your next tattoo!💌 Brittxwhitman@gmail.com・・・Got to do this incredibly fun rococo torch for an amazing client who snagged my last minute Saturday spot!
General chaos genesis rom. General Chaos Holy Crap, way to many amazing things I have to say about this game, it could possibly be the top 5 best multiplayer games to date. This game feeds off the competitive instincts brotherly have or sisterly if you happen to be some cool ass dames and quenches the thirst when you aim your bazooka to cause total destruction. General Chaos is a 1993 video game developed by Game Refuge Inc. And published by Electronic Arts for the Sega Genesis. General Chaos is a satirical arcade/strategy game. The game is a quick and dirty battle (or a longer campaign mode that is a series of battles fought over a dynamic strategic map) between two generals, 'General Chaos.
I have openings this week and I’d love to do more pieces like this and have a few available as predrawns in my highlights as well as time for your custom ideas! Email me to book 🖤.✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart.
Absolutely LOVE this recent piece by @seangardnerisawesome! Shoot this talented guy an email to get on his schedule!💌 Seangardnerisawesome@gmail.com・・・‘Ello!
Say, come inside, and meet the missus”So excited to have done @ohdanigirl23 ‘s dream Labyrinth tattoo of the worm 🐛.It was a load of fun with such an amazing lady. 🐛#tattoo✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart. Absolutely love this sleeve our angel @jessbrowntattoos finished! Shoot her an email to get on her schedule!💌 Jessbrownart@gmail.com.Rat skullys and possum screams!
Finished up the back of @kyliemcg sleeve the other day. 🐀 🐀@helheimgallery@9threalmgallery#tattoo✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart.
💗 New Prints Available! 💗 Look at these dope new prints by @jessbrowntattoos @seangardnerisawesome and @kellydotylovessoup! Head over to our website and snag some!.✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart.
We are so pumped to have @rachelsmithtattoo join us March 13th & 14th! Shoot this talented lady an email to get on her schedule while she’s here!! 💌 Rachel@thirteen.tattoo.✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@shaynapraytattoos@leannelondis@raptorlazer@adriannovoart. We are so pumped to have @rachelsmithtattoo join us March 13th & 14th! Shoot this talented lady an email to get on her schedule while she’s here!!💌 Rachel@thirteen.tattoo.✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️ ✖️Helheim Gallery28 Norman Street,Suite 3,Salem, MA, 01970978-744-2367Tuesday-Saturday 11am-7pmHelheimgallery@gmail.com@helheimgallery@kellydotylovessoup@frissies@brittxwhitman@jessbrowntattoos@seangardnerisawesome@drawingdeadart@9threalmgallery@leannelondis@adriannovoart.